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Repairs, Modifications & Custom Work
Studio Equipment:
Samson Servo 170 amplifier;
Uher 121A mixer;
Urei LA1176LN, LA-2A etc;
Neve Class A 1970's mic pre and EQ modules;
Helios modules;
Altec 436C Compressor;
Ampex 350 tape link;
Audio and Design - F760X Compex, E900 Eq's etc, including Scamp racks;
AKG C-28 Mic;
Neumann U67, U47 and 48 mics;
Shure mics various and M67-2E mixer;
Revox A77, B77 and G36 tape machines;
Studer B62 tape machine;
Pultec MEQ-5 and EQP1-A equalisers;
Vortexion 1950's valve mixers;Amps:
Sheldon TrueTone, Vox AC30, Fender Twin Reverb,
Watkins/WEM Dominator;
Hiwatt Custom 100 Head;
Effects:
(Dallas) Arbiter Fuzz Face;Divided by 13 Switchazel;
Vox Wah;
EH Double Muff, most (older design) Electro-Harmonix stuff (e.g. Big Muff, Electric Mistress, Deluxe Memory Man, Small Stone etc);
Fulltone Deja Vibe, Clyde Wah, OCD;
Turbo RAT;
HBE Power Screamer;
Hoochie Mama;
Xotic BB preamp;
Roger Mayer Voodoo-Vibe (and Jr);
Boss CS-1, AC-2, GE-7, DD-3, DM-2, SD-1, DS-1, CE-3 et al;
Watkins/WEM copicat echo (all models);
MXR Phase 90 & 100, Flanger, Stereo Chorus, Dyna-Comp, Dist + etc, etc.;
Binson Echorec;
Bespeco Wah;
Award Sessionmaster JD-10;
Selmer Truvoice echo;
Maestro Echoplex (all models);Z-Vex Fuzz Factory;
HAO Rust Booster;
Option 5 Rotary;
Demeter Tremulator, Opto Compulator;
Hi Fi:
Rogers HG-88, Cadet;
Leak TL-12+ & most variants. Stereo 30+, Troughline 3;
Armstrong 421, 521, 525, 625 amps & tuner-amps;
Cambridge Audio P50 and P60 amps
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